I start my abstracts in the same manner I start my figurative or any of my other paintings. The colors I use built up in layers, the movements build up into currents and waves to allow the painting to be alive. If layer interrupts the previence layer of the paintings so it chaotically starts to take up the characteristics of landscapes and slices of land masses. This allows us to be a part of a world of movement and this outside of this world.
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